Elvis Presley Mp3 Downloads

Elvis Presley : Today, Tomorrow and Forever (CD 2)

Artist: Elvis Presley

Album: Today, Tomorrow and Forever (CD 2)

Year: 2002

Genre: Blues

Mp3 downloads for Today, Tomorrow and Forever (CD 2)

#	Song Title	Rate, kbps	Length, min	Size, mb
1	Make Me Know It (Alternate Take 17 and 18)	192	2:42	3.72
2	Are You Lonesome Tonight (Alternate Take 1 and 2)	192	3:39	5.03
3	G.I. Blues (Alternate Take 5)	192	2:49	3.88
4	Pocketful Of Rainbows (Alternate Take 3)	192	2:59	4.11
5	Flaming Star (Main and End Title Versions - Alternate Take 4 and 1)	192	3:28	4.76
6	Swing Down Sweet Chariot (Alternate Take 2 and 3)	192	3:16	4.48
7	Lonely Man (Alternate Take 1)	192	2:04	2.85
8	There's Always Me (Alternate Take 2)	192	2:34	3.54
9	Can't Help Falling In Love (Alternate Take 26)	192	1:51	2.55
10	I'm Yours (Alternate Take 5)	192	2:16	3.12
11	Follow That Dream (Alternate Take 3)	192	1:42	2.33
12	Anything That's Part Of You (Alternate Take 8)	192	2:09	2.96
13	King Of The Whole Wide World (Alternate Take 3)	192	3:42	5.10
14	Gonna Get Back Home Somehow (Alternate Take 2)	192	2:44	3.75
15	A Boy Like Me, A Girl Like You (Alternate Take 4)	192	2:27	3.37
16	They Remind Me Too Much Of You (Alternate Take 4)	192	2:31	3.47
17	Mexico (Alternate Take 2)	192	2:01	2.76
18	Witchcraft (Alternate Take 2)	192	2:23	3.28
19	Today, Tomorrow and Forever (Duet Version Take 2)	192	4:11	5.76
20	Ask Me (Alternate Take 2)	192	2:16	3.11
21	Roustabout (Alternate Take 8)	192	2:04	2.85
22	Puppet On A String (Alternate Take 10)	192	2:41	3.69
23	My Desert Serenade (Alternate Take 7)	192	2:09	2.95
24	Please Don't Stop Loving Me (Alternate Take 10)	192	2:06	2.89
25	This Is My Heaven (Alternate Take 7)	192	2:41	3.69
26	Never Say Yes (Alternate Take 1 and 2)	192	2:38	3.61
27	Hide Thou Me	192	5:01	6.89
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Before Sam Philips sold Elvis’ contract to RCA in 1956 for $35,000 they had recorded six two-sided singles. Each of these recordings featured a country and western song on one side and a rhythm and blues song on the other. One of the reasons Elvis was so popular was because of his ability to merge attributes of what was perceived to be “white” (C&W) and “black” (R&B) music. An example of this is evident in

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